The 2022 Minnesota Writing Workshop: October 7-8, 2022

Screen Shot 2016-12-25 at 10.34.26 PM.pngAfter successful 2014, 2017, 2018, 2019, 2020, and 2021 events in Minnesota, Writing Day Workshops is excited to announce The 2022 Minnesota Writing Workshop — an online “How to Get Published” writing event on October 7-8, 2022. (Writers are welcome to attend virtually from everywhere and anywhere.)

This writing event is a wonderful opportunity to get intense instruction over the course of one day, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited online “seats” at the event (200 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2022 Minnesota Writing Workshop!

ONLINE: The 2022 MWW is an Online Conference to keep everyone safe, on October 7-8, 2022. There is much more to say about this, but immediately you should understand 1) Online events are easy and awesome, and the online events we’ve done thus far have received wonderful feedback, 2) You do not have to be tech-savvy to do this, and 3) We are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Skype or Zoom or phone. Learn all details about what it means to have a writers conference online.)

WHAT IS IT?

This is a special two-day “How to Get Published” writing workshop on October 7-8, 2022. In other words, it’s two days full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome. And even though this is the “Minnesota” Writing Workshop, make no mistake — writers from everywhere are welcome to attend virtually. Our WDW writers conferences have helped dozens of writers find literary agent representation — see our growing list of success stories here.

This event is designed to squeeze as much into two days of learning as possible. You can ask any questions you like during the online classes, and get your specific concerns addressed. We will have literary agents online to give feedback and take pitches from writers, as well. This year’s 2022 MWW agent & editor faculty so far includes:

  • literary agent Kat Kerr (Donald Maass Literary)
  • literary agent Claire Harris (P.S. Literary)
  • literary agent Jon Michael Darga (Aevitas Creative Management)
  • literary agent Paul Levine (Paul Levine Literary)
  • literary agent Annie Romano (Olswanger Literary)
  • literary agent Analieze Cervantes (Harvey Klinger Literary Agency)
  • literary agent Leticia Gomez (Savvy Literary)
  • literary agent Rach Crawford (Wolf Literary)
  • literary agent Rachelle Gardner (Gardner Literary)
  • literary agent Amy Brewer (Metamorphosis Literary Agency)
  • literary agent Debbie Alsdorf (Books & Such Literary Management)
  • literary agent Maeve MacLysaght (Copps Literary)
  • literary agent Maria Napolitano (Book Case Literary Agency)
  • literary agent Annie Bomke (Bomke Literary)
  • literary agent Maria Vicente (P.S. Literary)
  • literary agent Kaitlyn Johnson (Belcastro Agency)
  • literary agent Hannah Andrade (Bradford Literary)
  • literary agent Cortney Radocaj (Belcastro Agency)
  • literary agent Jessica Kasmer-Jacobs (The Deborah Harris Agency)
  • literary agent Vicki Selvaggio (Storm Literary)
  • literary agent Sera Rivers (Martin Literary)
  • literary agent Regina A. Bernard-Carreno (Martin Literary Management)
  • literary agent Dana Newman (Dana Newman Literary)
  • literary agent Laura Stone (Blue Ridge Literary Agency)
  • and more agents to come.

By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinators Chuck Sambuchino and Brian Klems of Writing Day Workshops.

EVENT LOCATION & DETAILS:

ONLINE: The 2022 MWW is an Online Conference to keep everyone safe, on October 7-8, 2022. There is much more to say about this, but immediately you should understand 1) Online events are easy and awesome, and the online events we’ve done thus far have received wonderful feedback, 2) You do not have to be tech-savvy to do this, and 3) We are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Skype or Zoom or phone. Learn all details about what it means to have a writers conference online.)

THIS YEAR’S SESSIONS & WORKSHOPS (OCTOBER 7-8, 2022):

What you see below is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.

Agent pitches and critique consultations overlap with Saturday sessions. The schedule of presentation topics below is subject to change and updates:

FRIDAY, OCTOBER 7, 2022

9:30 – 10:30: TBA

10:45 – 11:45: TBA

11:45 – 1:15: Break

1:15 – 2:30: TBA

2:45 – 3:45: TBA

4:00 – 5:00: TBA

* * * * *

SATURDAY, OCTOBER 8, 2022

9:30 – 10:30: TBA

10:45 – 11:45: TBA

11:45 – 1:15: Break

1:15 – 2:30: “Writers Got Talent”—a Page 1 Critique Fest, with participating literary agents and editors. In the vein of “American Idol” or “America’s Got Talent,” this is a chance to get your first page read (anonymously — no bylines given) with attending agents commenting on what was liked or not liked about the submission. Get expert feedback on your incredibly important first page, and know if your writing has what it needs to keep readers’ attention.

2:45 – 3:45: Open Agent Q&A Panel. Several attending literary agents will open themselves up to open Q&A from MWW attendees. Bring your questions and get them answered in this popular session.

4:00 – 5:00: TBA

Agent pitches and critique consultations overlap with Saturday sessions. The schedule of presentation topics below is subject to change and updates:

(What you see here is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.)

Agent & Editor Pitching: All throughout the day.

————-

PITCH AN AGENT OR EDITOR:

Hannah Andrade is a literary agent with Bradford Literary. She is particularly wanting to acquire BIPOC/underrepresented voices. She is prioritizing stories of joy where identity isn’t the focus and is especially excited about stories rooted in history, mythology, and legends, particularly those that are lesser-known or underrepresented in traditional publishing. “I am currently looking to acquire middle grade, young adult, adult, and select nonfiction. As someone who’s spent a large portion of their life outside of America, I am very interested in stories that explore the intricacies of multicultural identities. As a Mexican-American, I would particularly love to see the stories that I grew up with showcased in new and creative ways—send me your Latinx folklore-inspired MG and YA! In nonfiction, I’m looking for something that takes the mystery out of everyday life/occurrences (a lá Malcolm Gladwell or Atul Gawande) and investigative journalism-esque stories with a strong narrative hook.” Learn more about Hannah here.

Jon Michael Darga is a literary agent with Aevitas Creative Management.  Jon represents titles across a diverse range of genres, and represents both nonfiction and fiction. He is most interested in voice-driven pop culture writing, nonfiction histories that re-cast the narrative by emphasizing unexpected or unheard voices, and both adult and young adult commercial fiction that features diverse casts and new stories. He is not looking for genre fiction. Learn more about Jon here.

Jessica Kasmer-Jacobs is a literary agent with The Deborah Harris Agency. Jessica recieved her BA in English Literature from New York University and her MPhil in Irish Literature from Trinity College Dublin. Before moving to Israel, she was an editor at the Wall Street Journal Book Review. She has previously worked at the Joy Harris Literary Agency in New York, The Irish Jewish Museum in Dublin, and Blue Man Group in Boston. Jessica is interested in literary fiction, serious nonfiction memoir, historical fiction and picture books. Learn more about Jessica here.

Rachelle Gardner is literary agent and owner of Gardner Literary. She works in the Christian market (CBA) as well as the general market, and is considering new clients for both. In fiction she’s looking at novels of 75,000 to 100,000 words in the following genres: contemporary women’s fiction, romance, suspense/thriller, historical, YA and YA fantasy including fairy tale retellings with a unique approach. Rachelle is looking at a wide variety of nonfiction, but please note, she can’t sell it unless you have a platform. If you have begun developing a following, bring her your nonfiction! She is especially interested in BIPOC and LGBTQ+ authors. Learn more about Rachelle here.

Sera Rivers is a literary agent with Martin Literary Management. Sera is currently accepting queries for middle grade and young adult fiction and graphic novels, as well as the occasional picture book. Specifically, among other things, Sera likes: #ownvoices, YA that is fast-paced, compelling, and mind-bending stories with unreliable narrators. In middle grade, Sera is seeking voice-driven contemporary stories that tackle tough topics (such as From the Desk of Zoe Washington by Janae Marks; Melissa’s Story by Alex Gino). Sera would love to represent more graphic stories in all genres of the children’s market. Sera is only looking for picture books that tackle tough topics. Learn more about Sera here.

Annie Romano is a literary agent with Olswanger Literary. “I accept submissions in the areas of adult fiction and select narrative nonfiction. In adult fiction, I enjoy upmarket and commercial fiction, women’s fiction, psychological thrillers/suspense, crime dramas, mystery, and contemporary and historical fiction. I do enjoy literary fiction so long as there is a discernible structure/plot. (I am not the best fit for stories focused on an emotional or sensory journey—beautiful as the writing may be—if the storyline is vague or absent.) I adore stories with humor, well-done ensemble casts, and plots that deliver the unexpected. I’m not a good match for science fiction but am open to stories with light elements of fantasy or magical realism (think The House in the Cerulean Sea). I welcome and encourage diverse narratives, including but not limited to LGBTQ+ and underrepresented ethnicities/cultures. In narrative nonfiction, areas of interest include (but are not limited to) true crime (i.e., The Trial of Lizzie Borden, by Cara Robertson) and unique windows into history (i.e., Mudlark, by Lara Maiklem). I love being surprised, and there is many a book I have opened skeptically and enjoyed, so if you’re questioning whether your work falls precisely within my areas of interest, take a chance and send it along. Learn more about Annie here.

Kat Kerr is a literary agent with Donald Maass Literary Agency. Kat feels strongly about supporting programs like We Need Diverse Books and is passionate about creating space in this industry for those from historically marginalized communities. She is actively seeking to grow her client list and is particularly hungry for magical realism, literary leaning speculative and science fiction, women’s fiction, YA works with a lot of heart, and narrative nonfiction with something to say. In fiction, she seeks literary, upmarket, women’s, rom-coms, multicultural, speculative, magical realism, family saga, young adult, and select sci-fi and fantasy. In nonfiction, she seeks narrative nonfiction and journalistic nonfiction tackling current affairs and social justice issues, particularly covering topics of racism, immigration, LGBTQIA+ rights, gender equality, and poverty. She also represents select biographies and memoirs. Learn more about Kat here.

Maeve MacLysaght is a literary agent with Copps Literary Services. Maeve seeks genre-blending commercial queer Fiction in YA/MG/Adult/Graphic Novels with a particular focus on BIPOC authors and authors of marginalized identities. She is NOT looking for nonfiction, genre fiction that perpetuates the racist, colonial, imperialistic, sexist, ableist tropes of the past, non-intersectional representation; no victories at the expense of another group, or low stakes, excessive realism. Learn more about Maeve here.

Screen Shot 2015-12-01 at 9.50.27 AMVicki Selvaggio is a literary agent with Storm Literary. Currently, she is excited to read compelling manuscripts that will resonate with her long after she’s done. She is seeking: “I am currently looking for lyrical picture books, middle grade and young adult fiction, new adult, mysteries, suspense, thrillers, paranormal, fantasy, narrative nonfiction, adult fiction but find I’m especially drawn to middle grade and young adult. I especially love thrillers and all elements of weird, creepy stuff. If it’s out of the box, and it will make me think and think, long after I’m done reading, send it to me! On the flip side, I yearn for books that make me laugh, cry and wonder about the world.” Learn more about Vicki here.

Maria Vicente is a Senior Literary Agent and Advisor at P.S. Literary representing bold and innovative books for kids, teens, and curious adults. “I welcome and encourage submissions from BIPOC and LGBTQ+ creators whether or not your story is considered #ownvoices.” She is seeking young adult fiction (contemporary, magical realism, horror, mystery, thriller, and light fantasy—just to name a few); middle grade fiction (all genres), chapter books with strong series potential, picture books by author-illustrators, kidlit nonfiction projects for readers of all ages (including smart essay collections and illustrated gift books); and kidlit Graphic Novels for all age categories. Learn more about Maria here.

Screen Shot 2019-07-09 at 11.51.01 PM.pngLeticia Gomez is a literary agent and the founder of Savvy Literary. At the present time, Savvy Literary Agency is interested in reviewing compelling and commercially viable book proposals and manuscripts written in English or Spanish. Fiction areas of interest: adventure, chick lit, fantasy, historical, humor, multicultural, mystery, paranormal, romance, young adult, and middle grade. Nonfiction areas of interest: advice/relationships, biography, cooking, diet, health, history/politics/current affairs, how-to, humor, lifestyle, memoir, parenting, religion/spirituality and true crime. Learn more about Leticia here.

Dana Newman is a literary agent with Dana Newman Literary. “We are interested in practical nonfiction (business, health and wellness, psychology, parenting, technology) by authors with smart, unique perspectives and established platforms who are committed to actively marketing and promoting their books. We love compelling, inspiring narrative nonfiction in the areas of memoir, biography, history, pop culture, current affairs/women’s interest, social trends, and sports/fitness. A favorite genre is literary nonfiction: true stories, well told, that read like a novel you can’t put down. On the fiction side we consider a very selective amount of literary fiction and women’s upmarket fiction. We look for character-driven stories written in a distinctive voice that are emotionally truthful.” Learn more about Dana here.

Claire Harris is a literary agent with P.S. Literary Agency. Claire is acquiring both fiction and nonfiction projects for adults. She’s actively seeking projects that shine a spotlight on people, places, and events that are often overlooked or not given the attention they deserve. In fiction, she’s looking for adult rom coms, contemporary fiction, psychological thrillers, select horror, and cozy mysteries—all for millennial audiences, specifically. Claire is happiest when reading manuscripts with unexpected endings or new twists on classic genre tropes. For non-fiction, Claire is seeking a range of projects, including lifestyle guides, pop culture celebrations, pop psychology, cultural criticism, humor, true crime, essay collections, and illustrated books for adults. Learn more about Claire here.

Amy Brewer is a senior literary agent & subsidiary rights assistant manager at Metamorphosis Literary Agency. Amy wears many hats everyday, from literary agent at Metamorphosis, to co-author of the Texting Prince Charming series, to social media manager, to yoga teacher.  She is seeking: Romances of all kinds, General fiction, LGBTQ+,  Women’s fiction, and Quirky humor. Learn more about Amy here.

Screen Shot 2019-09-27 at 1.37.27 PMPaul S. Levine is a literary agent and the founder of Paul S. Levine Literary. He is also an attorney. His fiction interests include adventure novels, mainstream fiction, mysteries, romance, thrillers, and women’s fiction. His nonfiction interests include business/commerce, pop culture, how-to, self-help, politics/law, relationships, and sports. Learn more about Paul here.

Cortney Radocaj is a literary agent with Belcastro Agency. As a member and advocate of both the LGBT and neurodiverse communities, Cortney adores seeing works that celebrate and normalize these experiences, particularly in YA. She is seeking: young adult, new adult, and adult. She is looking for LGBT (particularly F/F), neurodiversity, fantasy, science fiction, steampunk, cyberpunk, mythology/fairytale retellings, gothic, paranormal, contemporary, horror, and magical realism. Learn more about Cortney here.

Rach Crawford is a literary agent with Wolf Literary Services. Rach represents: literary fiction and narrative nonfiction, with a particular interest in LGBTQ+ perspectives across topics. In nonfiction she is drawn above all else to lyrical writing and rigorous thinking, and is interested in climate change, nature, geopolitics, migration, pop culture, tech, and in works that might be defined as cultural anthropology—books that help us understand the world we live in now. In fiction, as well as work that engages with the above topics, she has a particular soft spot for social horror, literary fiction that flirts with genre, working class characters, and intimate novels that burrow deep into the brain of one captivating weirdo. Learn more about Rach here.

Analieze Cervantes is a literary agent with The Harvey Klinger Literary Agency. “I’m especially open to BIPOC and LGBTQ voices.” She represents author-illustrators for picture books and graphic novels. She seeks middle grade and young adult fiction. For adult fiction, she seeks thriller and suspense, mystery, contemporary romance, romantic suspense, romantic comedies, paranormal, science fiction, and crime fiction. Learn more about Analieze here.

Maria Napolitano is a literary agent with Book Case Literary Agency.  Maria is currently open to queries for adult fiction, especially commercial to upmarket women’s fiction, rom-coms, and suspense & thriller. Strong characters, especially women and underrepresented voices, and high-concept projects that beg to be read in a single sitting catch her attention best. She is also looking for select nonfiction: memoir/essay from a unique and immersive perspective; inclusive, wide-angle health and life advice from experts in their field; pop science (not pop culture) and narrative nonfiction that answers questions she didn’t know she had about things she didn’t know she cared about. Learn more about Maria here.

Laura Stone is a literary agent with Blue Ridge Literary Agency. She is seeking: Romance (Amish, Contemporary, Regency, Suspense, Historical); Mystery & Crime (Cozy, Detective, Whodunit , Gentleman Thief, Legal Thrillers, Capers/Heist, Private Investigator, and Historical); Action / Adventure / Thriller (Spy/espionage thrillers, Artifact (religious, alien, historical); Alien encounters/invasions, Natural disaster);  Fantasy (Dystopian, Post-apocalyptic, Epic, Heroic, Magical realism); Young Adult (Post-apocalyptic, Dystopian, Fantasy); Middle Grade (Fantasy, Humor, Mystery, Action/Adventure). Learn more about Laura here.

Debbie Alsdorf is a literary agent with Books & Such Literary Management. Debbie acquires adult nonfiction projects that speak to real life and is looking for proposals in these categories: Christian Living with a bent toward spiritual growth and lifestyle change, Devotionals, Mental Health, Ministry-related, Inner healing and recovery, Health, Marriage and family, Blended family and step-parenting, Lifestyle (décor, home, diet, food), Purpose and identity, Leadership, and Discipleship. Learn more about Debbie here.

Regina A. Bernard-Carreno is a literary agent with Martin Literary Management. Regina is a literary manager currently accepting queries for true crime, memoirs, picture books, middle grade, young adult, graphic novels, cookbooks, and lifestyle artisan books. The work she hopes to accomplish as a literary manager is to help writers, as well as author-illustrators, think through their projects, see multiple opportunities where perhaps they don’t readily exist and help shape their work into successful books. Ultimately, she looks forward to championing great ideas. Learn more about Regina here.

Annie Bomke is a literary agent with Annie Bomke Literary Agency. She represents a wide variety of adult and YA fiction and nonfiction, including commercial and literary fiction, upmarket fiction, mysteries (from hilarious cozies to gritty police procedurals and everything in between), historical fiction, women’s fiction, psychological thrillers, literary/psychological horror, self-help, business, health/diet, cookbooks, memoir, relationships, current events, psychology, and narrative nonfiction. Learn more about Annie here.

Kaitlyn Johnson is a literary agent with Belcastro Literary Agency. “As a Literary Agent with Belcastro Literary Agency, I am accepting submissions for Upper MG, as well as Young Adult and Adult. I’d love more LGBTQ+ storylines in all genres and ages (especially bi, ace, and trans voices!). I’m also very much looking for more main characters living with mental health issues or disability.” Kaitlyn also seeks graphic novels for all ages. She does not want picture books or nonfiction. Learn more about Kaitlyn here.

 

        More 2022 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.

These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.

(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)

———

PRICING:

$189 — EARLY BIRD base price for registration to the 2022 MWW and access to all workshops, all days. (You also get 10+ additional free pre-recorded webinars on writing and publishing.) As of early 2022, registration is now OPEN.

Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents or editors in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals. There is no limit. Here are quick testimonials regarding writers who have signed with literary agents after pitching them at prior Writing Day Workshops events.  Our bigger, growing list of success stories can be seen here.

Screen Shot 2018-11-26 at 11.11.29 AM.png“I met my client, Alison Hammer, at the Writing
Workshop of Chicago and just sold her book.”
– literary agent Joanna Mackenzie of Nelson Literary

Screen Shot 2017-05-02 at 11.47.54 PM.png“Good news! I signed a client [novelist Aliza Mann]
from the Michigan Writing Workshop!”
– literary agent Sara Mebigow of KT Literary

Screen Shot 2018-11-05 at 12.56.10 PM“I signed author Stephanie Wright from
the Seattle Writing Workshop.”
– literary agent Kathleen Ortiz of New Leaf Literary

Screen Shot 2018-05-17 at 9.07.44 PM“I signed an author [Kate Thompson] that I
met at the Philadelphia Writing Workshop.”
– literary agent Kimberly Brower of Brower Literary

Screen Shot 2016-10-16 at 2.54.50 PM.png“I signed novelist Kathleen McInnis after meeting her
at the Chesapeake Writing Workshop.”

– literary agent Adriann Ranta of Foundry Literary + Media

Add $69 — for an in-depth, personal critique of your one-page query letter from Chuck Sambuchino, one of the workshop’s former instructors. (This rate is a special event value for Minnesota Writing Workshop attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?

Add $89 — for an in-depth personal critique of the first 10 pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees get an in-person meeting at the workshop. Options:

  • Mystery, thriller, crime, suspense: Faculty member Heather Chavez, a published author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 10 minutes sometime around the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
  • Mystery, thriller, general fiction, literary fiction, science fiction, fantasy, romance, women’s fiction: Faculty member Tara Bailey, a writing coach and author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 10 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
  • Historical fiction, romantic comedies, romance, and young adult:  Faculty member Noelle Salazar, a writing coach and author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
  • Children’s picture books, middle grade, young adult, memoir, historical fiction, general fiction of almost any kind: Faculty member Eve Porinchak, a former agent turned publishing coach, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting. Children’s picture books should be 1,000 words maximum, and can or cannot have illustrations.
  • More critique options forthcoming.

How to pay/register — Registration is now open. Reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com, and he will provide specific instructions for payment and registration to get you a reserved seat at the event. Payment is by PayPal or check or credit card. Because Brian plans different workshops, make sure you note that you’re inquiring about the Minnesota workshop specifically.

REGISTRATION:

ONLINE: The 2022 MWW is an Online Conference to keep everyone safe, on October 7-8, 2022. There is much more to say about this, but immediately you should understand 1) Online events are easy and awesome, and the online events we’ve done thus far have received wonderful feedback, 2) You do not have to be tech-savvy to do this, and 3) We are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Skype or Zoom or phone. Learn all details about what it means to have a writers conference online.)

Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.

How to Register: The easy first step is simply to reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com. He will pass along registration information to you, and give instructions on how to pay by PayPal or check or credit card. Once payment is complete, you will have a reserved seat at the event. The MWW will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Brian plans different workshops, make sure you note that you’re inquiring about the Minnesota workshop specifically.

Refunds: If you sign up for the event and have to cancel for any reason at any time, you will receive 50% of your total payment back [sent by check or PayPal or CC refund]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments and manuscript editing payments are completely non-refundable if the instructor has already started edited your work.)

Screen Shot 2014-06-12 at 4.10.21 PM

Thank you for your interest in the 2022 Minnesota Writing Workshop.

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