Agents and Editors in Attendance

(Please note that this is an in-person event. We at Writing Day Workshops plan both online/virtual as well as in-person events. This next MWW is an in-person event happening in St. Paul on April 11, 2026. See you there.)

PITCH YOUR BOOK TO A LITERARY AGENT:

These in-person one-on-one meetings at the 2026 Minnesota Writing Workshop are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind. More 2026 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open. We have seen many, many writers sign with agents after connecting after our conferences.

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Jennifer Carlson is a literary agent with Dunow, Carlson & Lerner. Jennifer has been agenting since 1997. Previously, she worked at Henry Dunow Literary Agency and Harold Ober Associates. She works with narrative nonfiction writers and journalists covering current events and ideas and cultural history, as well as literary and upmarket commercial novelists. On the children’s side, her clients are primarily young adult and middle grade fiction writers. She is not currently looking for new picture books or YA fantasy. Learn more about Jennifer here.

Krista Van Dolzer is a literary agent at The Unter Agency. Krista has worked in and around the publishing industry for more than a decade. Her middle grade fiction has been published by Penguin Random House, Sourcebooks, Capstone, and Bloomsbury USA. Krista is looking for all things middle grade and young adult, as well as several flavors of adult nonfiction: narrative, sports, applied but accessible science (especially in mathematics, economics, or psychology), and journalistic narrative (think Susan Cain, Malcolm Gladwell, or David Brooks). Learn more about Krista here.

Michaela Whatnall is a literary agent with Dystel, Goderich & Bourret. Michaela’s background in school and library marketing accounts for their strong interest in children’s literature, particularly middle grade and young adult fiction of all genres, including contemporary, fantasy, science fiction, historical, adventure, horror, and romance. In the adult fiction space, they are particularly seeking contemporary, speculative, and historical upmarket fiction, as well as character-driven, grounded fantasy and romantasy. They are also open to select narrative nonfiction for both children and adults, graphic novels, and picture books. Learn more about Michaela here.

Brittany Torres Rivera is an assistant editor with Graywolf Press, and is taking pitches on behalf of her imprint. Graywolf Press publishes about 30 books annually — mostly poetry, memoirs, essays, novels, translations, and short stories. “Our editors are looking for high quality literary fiction, nonfiction, and poetry that combine a distinct voice with a distinct vision. Our editors seek out and solicit promising work from authors that they encounter in the pages of magazines, at writing conferences, and in other venues.” Learn more about Brittany here.

Cathie Hedrick-Armstrong is a literary agent at Marsal Lyon Literary Agency and a member of the Association of American Literary Agents (AALA). Cathie is seeking adult fiction submissions in the following areas and genres: romance, domestic suspense, psychological suspense, horror fiction, mystery, historical fiction, commercial fiction, women’s fiction, and book club fiction. Learn more about Cathie and her wishlist here.

Ruth Gila Berger is a literary agent with Red Sofa Literary. She is seeking: adult and young adult fiction that has a hook, nuance and heart; essay collections that show up in the wrong outfit, take a circuitous or unexpected route to writing, and question assumptions; narrative nonfiction with a story – especially if it marries two seemly disparate fields like art and mathematics, physics and cooking, birds and language, etc. I want to read experts who can charm and surprise me, make me laugh and never take a tone of intellectual superiority; memoir is where my heart lives but you have to knock my socks off and be connected to something in the larger world (must have a platform to sell) and graphic Novels, only if they are original, beautiful and funny. Learn more about Ruth here.

Erin Casey Westin is a literary agent with Gallt and Zacker Literary Agency. Erin is open to all kid lit and children’s books age groups — picture books, chapter books, middle grade, and young adult — and is particularly drawn to work that shows the author’s world and character-building ability. She also is open to kidlit nonfiction. She wants to believe wholeheartedly in the world of the book, whether the setting is familiar or fantastic. Learn more about Erin here.

Michael Croy is a literary agent with Northstar Literary. Michael is interested in acquiring general/mainstream fiction – stories told with heart and humor that have a strong sense of place with characters you quickly cheer for (or against!). Recent fiction favorites like Whiskey When We’re Dry by John Larison, When All is Said by Anne Griffin or The Bear by Andrew Krivak. On the narrative nonfiction side he is looking for thoughtful pop culture commentary, or cultural history, think Valeria Luiselli’s powerful Tell Me How It Ends, or Chuck Klosterman’s The Nineties, or This Woman’s Work by Sinead Gleeson and Kim Gordon. Sports biographies that are less about sport and more about personal struggles to overcome political, cultural, or physical hurdles – think of Path Lit by Lightning: The Life of Jim Thorpe by David Maraniss. Learn more about Michael here.

Laura Zats  is a literary agent with Headwater Literary. (Note: Concerning the 10-minute “pitch” appointments at the event, Laura’s agency handles these opportunities in a specific way. In her own words: “Headwater, as a policy doesn’t do traditional pitch sessions, but we DO perform consultations, where we meet with anyone and answer questions & give feedback, rather than just give a yes/no.”) Laura represents young adult books, science fiction, fantasy, romance, mystery, literary fiction with speculative elements, and select contemporary and historical fiction. “I particularly love to work on books that appeal to readers of different genres or subgenres—if you’re pitching something that crosses multiple areas of my list, I want to see it!” Learn more about Laura here.

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ADDED ONLINE PITCHING: To ensure that writers have a robust and diverse lineup of agents & editors to pitch, 2026 Minnesota Writing Workshop attendees will have the ability to also pitch literary agents at a specific Writing Day Workshops *online* event that follows the 2026 MWW on our calendar.

That event is the 2026 (Online) New England Writing Workshop, July 24-25, 2026, which will have 30-40 agents taking one-on-one Zoom virtual pitches.

This means that 2026 MWW attendees can have access to pitching all those online New England WW agents — pitches still at $29 each — without being a formal registrant for the online July 2026 event. (That said, if you want to formally register for the July 24-25 New England Writing Workshop and have access to all classes and panels, let us know, as there is a discount for confirmed Minnesota attendees.)

If you are interested in this added pitching opportunity, the first step is to get formally registered for Minnesota. Following the conference on April 11, 2026, we will be in touch with all Minnesota attendees and ask them if they want to partake in pitching online agents at the 2026 NEWW (July 24-25). At that time, you can communicate your pitch requests and purchase meeting time.

        More 2026 agents/editors to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open. You can pitch as many agents & editors as like you wish.

These one-on-one virtual meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile.

It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind. (Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings.)