The 2022 Minnesota Writing Workshop is planned for an undetermined weekend in October 2022. We hope you can join us! The MWW conference has happened six times before, and we at Writing Day Workshops have loved connecting writers and literary agents, and seeing so many success stories from our events.
If you’d like to attend a writers conference before then, we have online events coming up in 2021-2022 to keep everyone safe. Please note that even though the events below are for different cities around the country, since these events are online, anyone can attend from anywhere. Each event has 30-40 attending literary agents! Details:
If you have questions, or want to register for any 2021-2022 writers conferences, contact us (Brian) at WDWconference@gmail.com and we are happy to assist. Just let us know which event(s) you want to register for. You can attend from anywhere since the events are online. Writers can sign up for more than one event. If you and several people from your writing group all want to register together, ask us about a group discount.
All classes are recorded and sent out to attendees afterward, so you can study the instruction and enjoy the experience. All pitches are one-on-one with literary agents seeking writers, and done over Zoom (though phone is also an option). Thanks, all, and we hope to see you in 2021-2022 at an event!
After successful 2014, 2017, 2018, 2019, and 2020 events in Minnesota, Writing Day Workshops is excited to announce The 2021 Minnesota Writing Workshop — an online “How to Get Published” writing event on February 12-13, 2021. (Writers are welcome to attend virtually from everywhere and anywhere.)
This writing event is a wonderful opportunity to get intense instruction over the course of two days, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited online “seats” at the event (200 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2021 Minnesota Writing Workshop!
This is a special two-day “How to Get Published” writing workshop on February 12-13. In other words, it’s two days full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome. And even though this is the “Minnesota” Writing Workshop, make no mistake — writers from everywhere are welcome to attend virtually.
This event is designed to squeeze as much into two days of learning as possible. You can ask any questions you like during the online classes, and get your specific concerns addressed. We will have literary agents onsite to give feedback and take pitches from writers, as well. This year’s 2021 MWW agent faculty so far includes:
literary agent Stacey Graham (3 Seas Literary)
literary agent Karly Caserza (Fuse Literary)
literary agent Paige Terlip (Andrea Brown Literary Agency)
By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinators Chuck Sambuchino and Brian Klems of Writing Day Workshops.
THIS YEAR’S SESSIONS & WORKSHOPS (FEB. 12-13, 2021):
What you see below is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.
Agent pitches and critique consultations overlap with Saturday sessions. The schedule of presentation topics below is subject to change and updates:
FRIDAY, FEBRUARY 12, 2021
9:30 – 10:30: Writing Pitfalls and How to Avoid Them. When writing, there are clear red flags that outline the newbies versus the pros.
10:45 – 11:50: The Changing Author Role in Today’s Publishing World. This class addresses important questions in today’s digital changing marketplace. A pair of agents teach this course and help bring you up to speed on being an active and successful writer in 2021.
11:50 – 1:15: Break.
1:15 – 2:30: Improve Your Writing: The Basics of Self-Editing and Revision. Remember that good writing is rewriting. In this class, you’ll learn to identify your writing’s flaws (and fix them) — such as tense and POV issues, when to cut and shorten your length, and what makes some writing crackle.
2:45 – 3:45: How to Market Yourself and Your Books: Talking Author Social Media, Blogging, and Platform. Whether you’re traditionally published or self-published, everyone could use some helpful guidance on how to effectively market themselves and sell more books.
4:00 – 5:00: Getting Published in Today’s World: 10 Tips to Make You the Writer Agents and Publishers Want. In this session, you will learn challenges writers face in publishing today and offers up 10 practical tips to help you break through the barriers and find success.
SATURDAY, FEBRUARY 13, 2021
9:30 – 10:30: From Idea to Bestseller. Explore the life cycle of a book from creation, to query, to publication, to publicity, to sales. We will have an interesting discussion about the various ways that agents and authors come together and how they work as a team to shape a career, especially when they team up after a first book is already with a publisher.
10:45 – 11:50: How to Write a Damn Fine Query Letter. This course, taught by an agent, explains how to write a query letter that gets attention.
11:50 – 1:15: Break.
1:15 – 2:30: “Writers Got Talent”—a Page 1 Critique Fest, with participating literary agents and editors. In the vein of “American Idol” or “America’s Got Talent,” this is a chance to get your first page read (anonymously — no bylines given) with attending agents commenting on what was liked or not liked about the submission.
2:45 – 3:45: Open Agent Q&A Panel. Several attending literary agents will open themselves up to open Q&A from MWW attendees. Bring your questions and get them answered in this popular session.
4:00 – 5:00: Inspiration as an Author. Inspiration is a fundamental part of any creative process. Join Cecilia Lyra’s class to learn practical tips on how writers can boost their inspiration levels—and improve their writing in the process.
Agent pitches and critique consultations overlap with Saturday sessions. The schedule of presentation topics below is subject to change and updates:
Stacey Graham is a literary agent with 3 Seas Literary Agency. Current wish list — I will only be taking pitches from these categories at this time: Adult Romance; I never met a trope I didn’t like. Middle grade – spooky and/or hilarious. Nonfiction — I’m looking for fun, quirky, fascinating topics with strong commercial appeal and a great platform. Specifically looking for how-to books, antiques, and craft books. Learn more about Stacey here.
Karly Caserza is a literary agent with Fuse Literary. Karly has a deep love for characters with a strong voice and seeks out stories she can get lost in. Diversity in genre fiction is a major bonus. She specializes in middle grade and young adult genre fiction (fantasy, science fiction, and contemporary). In addition to designing a wide range of print and web promotional material for clients, Karly creates book covers for Short Fuse and promotional graphics for Fuse authors. Learn more about Karly here.
Paige Terlip is a literary agent at Andrea Brown Literary Agency. Paige represents all categories of children’s books from picture books to young adult, as well as select adult fiction and nonfiction. She is also actively building her list of illustrators and is especially looking for author-illustrators and graphic novel illustrators. On the adult side she is open to thrillers/psychological suspense, fantasy/sci-fi, upmarket fiction, cozy mysteries, as well as narrative nonfiction and self-help that centers the mind, body, and spirit. She loves stories that make her feel a range of emotions, even if that means she ugly cries while reading. She wants a narrative that will stick with her long after reading. Learn more about Paige here.
Amanda Orozco is a literary agent with Transatlantic Agency. For fiction, she’s looking for YA contemporary romance and fantasy, as well as literary and upmarket adult fiction in the contemporary, speculative, horror, and romance genres. She has a soft spot for coming-of-age stories, short story collections, and the occasional urban fantasy. For nonfiction, she’s interested in stories that offer fresh cultural, political, and/or social critiques along with personal narratives on art, pop culture, tech, and forgotten, unexamined history. She is looking for perspectives from the margins or from emerging artists and academics with original ideas and sharp commentary. Learn more about Amanda here.
Matt Belford is a literary agent with The Tobias Literary Agency. A lover of all things science fiction and fantasy, Matt accepts his nerd status readily. Matt is interested in receiving submissions for both graphic memoirs and graphic novels, as well as adult science fiction and fantasy, and some popular nonfiction. He is not interested in young adult novels. Learn more about Matt here.
Darlene Chan is a literary agent with Linda Chester Literary Agency. Darlene is interested in stories by and about BIPOC (Black, Indigenous, and people of color), women’s fiction, chick lit, crime fiction, young adult novels. In nonfiction, she is actively seeking pop culture books, and books on film and the entertainment industry. Learn more about Darlene and what she seeks here.
Nikki Terpilowski is a literary agent and founder of Holloway Literary. She seeks Southern fiction, historical fiction, young adult, women’s fiction, literary fiction, mysteries, thrillers, romance (contemporary, historical and romantic suspense), cozy mysteries, science fiction (including Afrofuturist fiction), and African-American fiction of all types. For nonfiction, she seeks books related to mindfulness, healthy eating (Paleo, gluten-free, etc.), regional/ethnic/fusion cookbooks, foodie subjects, travel, alternative simple living, i.e. homesteading, minimalism, etc, interesting self-help (personal and professional), military experiences, Civil War, and Southern living. Learn more about Nikki here.
Michaela Whatnall is a literary agent with Dystel, Goderich & Bourret. Their background in school and library marketing accounts for their strong interest in children’s literature, from picture books up through middle grade and young adult novels and graphic novels. In the adult fiction space, they are particularly seeking character-driven speculative fiction, sci-fi/fantasy, and literary fiction. They are also interested in nonfiction for both children and adults, especially narrative nonfiction in the areas of history, the creative arts, and lifestyle. Learn more about Michaela here.
Leticia Gomez is a literary agent and the founder of Saavy Literary. At the present time, Savvy Literary Agency is interested in reviewing compelling and commercially viable book proposals and manuscripts written in English or Spanish. Fiction areas of interest: adventure, chick lit, fantasy, historical, humor, multicultural, mystery, paranormal, romance, young adult, and middle grade. Nonfiction areas of interest: advice/relationships, biography, cooking, diet, health, history/politics/current affairs, how-to, humor, lifestyle, memoir, parenting, religion/spirituality and true crime. Learn more about Leticia here.
Jess Dallow is a literary agent with Brower Literary. She is seeking: contemporary thrillers and mysteries in YA. In Adult, she is looking for small town romance, rom-coms, domestic suspense, and book club fiction. She would love to see diverse characters and #ownvoices within these genres. Jess has always had a love for books, especially those that feature child psychopaths, platonic friendships between men and women, a romance that makes her heart beat faster, and serial killers. Learn more about Jess here.
Cecilia Lyra is an associate agent at P.S. Literary representing adult fiction and nonfiction. In terms of nonfiction, Cecilia is seeking Psychology, Pop Culture, Science, Business, and Lifestyle from experts in their fields with an original angle, as well as compelling memoirs—both long-form and memoir-in-essays. As for fiction, Cecilia is passionate about voice-y Literary Fiction and fast-paced Commercial Fiction. She adores reading about dysfunctional families from the point-of-view of a morally ambiguous protagonist. Books that are centered around feminist issues have a special place in her heart. Above all else, Cecilia is looking for a story she can’t put down. Learn more about Cecilia here.
Eva Scalzo is a Literary Agent with Speilburg Literary. In Adult Fiction, Eva represents Romance novels (all subgenres except inspirational) and Science Fiction/Fantasy novels. She also represents all subgenres of Young Adult Fiction. She is interested in submissions from diverse authors. Learn more about Eva here, as well as her specific interests and what is seeking from writers.
Tori Sharp is a literary agent with The Jennifer De Chiara Literary Agency. Tori represents all manner of children’s literature. “Please send me all genres of children’s graphic novels. I love comics that are heartfelt and gestural, and I tend to like art styles that look animated and soft, but bright. I would jump at a raw but playful MG graphic memoir or stories that feel like fairy tales. For middle-grade and young adult prose, my heart is in SFF. PLEASE send me WITCHES! I adore magical realism, and I will consider portal fantasy if it has a strange and fun new take on the genre. For nonfiction, I am exclusively looking for MG memoir and how-to books that introduce a craft.” Learn more about Tori here.
Literary agent Courtney Miller-Callihan is a literary agent and founder of Handspun Literary Agency. She is always looking for stories she can’t stop reading. For adult fiction, Courtney represents only the following: mainstream fiction (including historical fiction and women’s fiction), romance (all subgenres except inspirational), mystery novels, and speculative fiction. For nonfiction, Courtney represents work targeting all age groups (children and adults). Though she will consider nonfiction on any topic, work that deals primarily with issues of religion or spirituality is unlikely to be a good fit. Learn more about Courtney here.
Ben Miller-Callihan joined Handspun Literary Agency as an associate agent in 2019. He spent more than a decade teaching high school English, and is now actively building his client list. His interests include humor, young adult and middle grade novels, speculative fiction (especially decolonial science fiction and fantasy), mainstream-ish fiction a la David Mitchell and William Gibson, and anything food-related. Learn more about Ben here.
Paul S. Levine is a literary agent and the founder of Paul S. Levine Literary. He is also an attorney. His fiction interests include adventure novels, mainstream fiction, mysteries, romance, thrillers, and women’s fiction. His nonfiction interests include business/commerce, pop culture, how-to, self-help, politics/law, relationships, and sports. Learn more about Paul here.
Emmy Nordstrom Higdon is a literary agent with Westwood Creative Artists. Emmy is seeking: “I grew up on fantasy novels and 90s kidlit horror like Bunnicula and Goosebumps. I represent authors of literary, upmarket, and commercial fiction, and narrative nonfiction, for adults and young adults. I specialize in character-driven #OwnVoices projects that are devastating to put down, particularly from the LGBTQ2S+ and disability communities. Murder is my comfort read. I prioritize queries from trans, Black or BIPOC, and/or disabled authors. Learn more about Emmy here.
Cortney Radocaj is a literary agent with Belcastro Agency. As a member and advocate of both the LGBT and neurodiverse communities, Cortney adores seeing works that celebrate and normalize these experiences, particularly in YA. She is seeking: young adult, new adult, and adult. She is looking for LGBT (particularly F/F), neurodiversity, fantasy, science fiction, steampunk, cyberpunk, mythology/fairytale retellings, gothic, paranormal, contemporary, horror, and magical realism. Learn more about Cortney here.
Carlisle Webber is a literary agent at Fuse Literary. Carlisle is looking for: high-concept commercial fiction in middle grade, young adult, and adult. If your book is fresh and exciting, tackles difficult topics, reads like a Shonda Rhimes show, or makes readers stay up late turning pages, she’s the agent for you. Diverse authors are encouraged to submit their fiction. Within the genres she represents, Carlisle is especially interested in stories by and about people of color; with both visible and invisible disabilities and illnesses; who are economically disadvantaged; who are gay, lesbian, bisexual, transgender, or queer; or who are members of religious minorities. Pitch her: Middle grade (any genre), Young adult (any genre), thriller, mystery, suspense, horror, women’s fiction, and popular/mainstream fiction. Learn more about Carlisle here.
Cate Hart is a literary agent with Harvey Klinger Literary Agency. She is particularly drawn to oft forgotten stories of the past and underrepresented voices, and especially personal to her is unexplored Southern history and culture. In nonfiction, she seeks narrative stories, history, film/TV/theatre, pop culture, and music. In fiction, she seeks historical, commercial, women’s, romance, fantasy, mystery, psychological thriller, middle grade, and young adult. Learn more about Cate here.
Brenna English-Loeb is a literary agent with Transatlantic Agency. She is specifically looking for works of YA and adult science fiction, fantasy, mystery and suspense. She loves grounded space operas, rare myth and fairy tale retellings, nature survival stories, epistolary novels, and heists. She also has a soft spot for stories that blend multiple genres and she is always looking for works by underrepresented groups and identities. For nonfiction, Brenna is looking for serious, groundbreaking sociological work that holds our culture up to the magnifying glass. She also loves accounts of historical events and people that deserve to be better known, as well as unusual and influential object histories. Learn more about Brenna here.
Erica Bauman is a literary agent with Aevitas Creative Management. Erica is currently focused on representing a wide range of authors across middle grade, young adult, and adult fiction, as well as some select narrative nonfiction projects. She is most interested in novels that straddle the line between literary and commercial, imaginative tales with a speculative twist, fearless storytellers that tackle big ideas and contemporary issues, and working with and supporting marginalized authors and stories that represent the wide range of humanity. “In adult, I gravitate towards stories that have a commercial premise and beautiful writing. I love voice-driven, witty romcoms, historical novels (especially mysteries), and light SFF and magical realism. I’m on the lookout for books starring nerds, and stories that make me laugh. Across all age ranges and genres, I’m eager to support and work with marginalized authors and stories that represent the wide range of humanity.” Learn more about Erica here.
Carrie Howland founded Howland Literary after thirteen years as an agent, most recently at Empire Literary. Carrie is accepting submissions for: adult literary, upmarket, and commercial fiction as well as memoir, narrative and prescriptive nonfiction. Learn more about Carrie here.
More 2021 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.
These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.
(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)
$189 — EARLY BIRD base price for registration to the 2021 MWW and access to all workshops, all days. (You also get 10 additionalfree pre-recorded webinars on writing and publishing.) As of early 2021, registration is now OPEN.
Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents or editors in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals. There is no limit. Here are quick testimonials regarding writers who have signed with literary agents after pitching them at prior Writing Day Workshops events. (Our bigger, growing list of success stories can be seen here.)
“I met my client, Alison Hammer, at the Writing Workshop of Chicago and just sold her book.” – literary agent Joanna Mackenzie of Nelson Literary
“Good news! I signed a client [novelist Aliza Mann]
from the Michigan Writing Workshop!”
– literary agent Sara Mebigow of KT Literary
“I signed author Stephanie Wright from the Seattle Writing Workshop.” – literary agent Kathleen Ortiz of New Leaf Literary
“I signed an author [Kate Thompson] that I
met at the Philadelphia Writing Workshop.”
– literary agent Kimberly Brower of Brower Literary
“I signed novelist Kathleen McInnis after meeting her
at the Chesapeake Writing Workshop.” – literary agent Adriann Ranta of Foundry Literary + Media
Add $69 — for an in-depth, personal critique of your one-page query letter from Chuck Sambuchino, one of the workshop’s former instructors. (This rate is a special event value for Minnesota Writing Workshop attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?
Add $89 — for an in-depth personal critique of the first 10 pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees get an in-person meeting at the workshop. Options:
Mystery, thriller, general fiction, literary fiction, science fiction, fantasy, romance, women’s fiction: Faculty member Tara Bailey, a writing coach and author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
Adult science fiction and fantasy, young adult (all kinds), and middle grade (all kinds): Faculty member P.J. Hoover, a published author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
Children’s picture books, middle grade, young adult, memoir, historical fiction, general fiction: Faculty member Eve Porinchak, a former agent turned publishing coach, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting. Children’s picture books should be 1,000 words maximum, and can or cannot have illustrations.
How to pay/register — Registration is now open. Reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com, and he will provide specific instructions for payment and registration to get you a reserved seat at the event. Payment is by PayPal or check or credit card. Because Brian plans different workshops, make sure you note that you’re inquiring about the Minnesota workshop specifically.
Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.
How to Register: The easy first step is simply to reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com. He will pass along registration information to you, and give instructions on how to pay by PayPal or check or credit card. Once payment is complete, you will have a reserved seat at the event. The MWW will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Brian plans different workshops, make sure you note that you’re inquiring about the Minnesota workshop specifically.
Refunds: If you sign up for the event and have to cancel for any reason at any time, you will receive 50% of your total payment back [sent by check or PayPal or CC refund]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments and manuscript editing payments are completely non-refundable if the instructor has already started edited your work.)
Thank you for your interest in the 2021 Minnesota Writing Workshop.
She is seeking: contemporary thrillers and mysteries in YA. In Adult, she is looking for small town romance, rom-coms, domestic suspense, and book club fiction. She would love to see diverse characters and #ownvoices within these genres.
Having grown up with the same name as her favorite Sweet Valley High twin, Jess has always had a love for books, especially those that feature child psychopaths, platonic friendships between men and women, a romance that makes her heart beat faster, and serial killers. She has a BFA in Writing for Film and Television from the University of the Arts and worked in entertainment for eight years before returning to her home state of NY where she worked at a literary agency for two years before joining Brower Literary & Management.
FIVE FUN FACTS ABOUT JESS:
All Time Favorite Book: Nineteen Minutes by Jodi Picoult; The Lover’s Dictionary by David Levithan
Current Favorite Book: Daisy Jones and the Six by Taylor Jenkins Reid; Baby Teeth by Zoje Stage
Favorite Movies: Scream 1-4; The Proposal; Pretty Woman; Working Girl
Favorite TV Shows: “Law and Order: SVU”; “Grey’s Anatomy”; “Schitt’s Creek”; “Friends”
Random Fact: I grew up wanting to write soap operas and interned on “The Young and the Restless” when I was 20.
Leticia has been working in the publishing industry for more than two decades. During this span of time, she has published her own newspaper, authored and published three books, edited numerous fiction and nonfiction manuscripts written in both English and Spanish that have gone on to publication. Thus far in her career as a literary agent she has placed close to 200 books with independent and mainstream traditional publishers.
At the present time, Savvy Literary Agency is interested in reviewing compelling and commercially viable book proposals and manuscripts written in English or Spanish in the following genres:
Fiction: Adventure, Chick-lit, Fantasy, Historical, Humor, Multi-cultural, Mystery, Paranormal, Romance, Young Adult and Middle-grade.
The Savvy Literary Agency is not interested in representing projects in the following genres: Children’s Picture Books, Horror, Erotica, Poetry, Short Story Collections, and Graphic Novels
In January of 2007, she launched Savvy Literary, becoming one of a highly select group of agencies in the world that specializes in the Latino book market and offers literary representation in English and Spanish. Since its inception, the agency’s prime directive has been to professionally, diligently, and tirelessly represent Latino and other ethnic minority writers since oftentimes they are misrepresented or worse yet not represented at all in the publishing and film/television industry. Although Savvy Literary has evolved through the years and is now an industry leader by also specializing in Business and Self-Help, Suspense/Thriller, and the Young Adult market, championing the work of minority authors continues to be a top priority for the agency.
In partnership with Ascendant Group, one of the leading branding and marketing firms in the nation, Leticia offers an even greater level of support to aspiring authors. As president of the company’s entertainment division, she has distinguished herself as a literary/film/television agent who can communicate effectively with the authors she is representing. She has helped her clients secure deals with the largest publishers in the world. In addition, she has seen several of her projects successfully optioned for TV and film rights. She is currently an Executive Producer for Bridges, an independent feature-length film starring Chris Routhe. Blending her experience as an author, literary/film/television agent and acquisition editor, she is now truly excited to spearhead her very own Hispanic book imprint Café con Leche Books (www.cafeconlechebooks.com).
Michaela joined Dystel, Goderich & Bourret in 2019 as the assistant to Michael Bourret in the West Coast office. After graduating from Emory University with a degree in English and linguistics, Michaela completed the Columbia Publishing Course.
Their background in school and library marketing accounts for their strong interest in children’s literature, from picture books up through middle grade and young adult novels and graphic novels. In the adult fiction space, they are particularly seeking character-driven speculative fiction, sci-fi/fantasy, and literary fiction. They are also interested in nonfiction for both children and adults, especially narrative nonfiction in the areas of history, the creative arts, and lifestyle.
Karly Dizon (nee Caserza) is a literary agent with Fuse Literary.
Karly has a deep love for characters with a strong voice and seeks out stories she can get lost in. Diversity in genre fiction is a major bonus. She specializes in middle grade and young adult genre fiction (fantasy, science fiction, and contemporary).
Karly was born in the Philippines and immigrated to Northern California as a child. She obtained her Business Marketing degree and has been a Freelance Graphic Designer for over 10 years. In addition to designing a wide range of print and web promotional material for clients, Karly creates book covers for Short Fuse and promotional graphics for Fuse authors.
Professionally, Karly began her career in the publishing industry as a reader for Tricia Skinner at Fuse Literary. Her responsibilities quickly grew and she was promoted to Literary Assistant, a role that also included a spot on the production team of Short Fuse.
In her spare time, Karly is an Adobe Technical Trainer, freelance graphic designer, Young Adult author, video game geek, and art noob.
Erica represents a wide variety of authors for both children and adults, including acclaimed YA author Andrew Auseon and Broadway performer Tiffany Haas.
Erica is a graduate of Johns Hopkins University and has worked in the publishing industry for the last seven years. Before coming to Aevitas she worked at Spectrum Literary Agency.
Based in New York, Erica is currently focused on representing a wide range of authors across middle grade, young adult, and adult fiction, as well as some select narrative nonfiction projects. She is most interested in novels that straddle the line between literary and commercial, imaginative tales with a speculative twist, fearless storytellers that tackle big ideas and contemporary issues, and working with and supporting marginalized authors and stories that represent the wide range of humanity.
“For middle grade, my interests span all genres, from contemporary to mystery to fantasy. I love quirky, funny stories and main characters who are misfits (and proud of it). I’m especially on the lookout for eerie horror (like Coraline) and really unique magic.”
“For young adult, I am a lover of all genre fiction, especially fantasy, mystery, and historical fiction. I love stories based off of mythology, folklore, and obscure fairy tales, and novels that cross genres. I’m especially on the lookout for stories inspired by classic literature/ballet/opera, mysteries and thrillers with unreliable narrators, and books that play with structure to tell a story in a really unique way.”
“In adult, I gravitate towards stories that have a commercial premise and beautiful writing. I love voice-driven, witty romcoms, historical novels (especially mysteries), and light SFF and magical realism. I’m on the lookout for books starring nerds, and stories that make me laugh.”
“Across all age ranges and genres, I’m eager to support and work with marginalized authors and stories that represent the wide range of humanity.”
“That said, I’m probably not the best for projects involving the following:
Serious literary fiction Vampires/werewolves/zombies Serious family drama Intergalactic war/alien invasions Dead pets Erotica Manic Pixie Dream Girls Instalove.”
Brenna has always gravitated to unique stories with a strong point of view. She is specifically looking for works of YA and adult science fiction, fantasy, mystery and suspense. She loves grounded space operas, rare myth and fairy tale retellings, nature survival stories, epistolary novels, and heists. She also has a soft spot for stories that blend multiple genres and she is always looking for works by underrepresented groups and identities.
Aspects of a work that are sure to catch her eye include: evocative atmospheres, relationship-driven plots, a sense of adventure, and narratives that reveal a deep knowledge of a particular subject. She also loves old tropes made new again, unreliable narrators, and power imbalances.
For nonfiction, Brenna is looking for serious, groundbreaking sociological work that holds our culture up to the magnifying glass. She also loves accounts of historical events and people that deserve to be better known, as well as unusual and influential object histories.
Brenna comes to Transatlantic after working for several years at Janklow & Nesbit Associates and Writers House, where she had the pleasure of working with New York Times bestselling and award-winning authors across multiple genres. At Transatlantic she’s excited to grow her list of genre fiction in both YA and adult, as well as adult nonfiction.
Cate joined Harvey Klinger Literary Agency in 2019 after 5 years with a New York agency where she represented Middle Grade to Adult fiction. She specializes in Historical, whether in Young Adult, Women’s Fiction and Romance, or narrative nonfiction. She is particularly drawn to oft forgotten stories of the past and underrepresented voices, and especially personal to her is unexplored Southern history and culture. She also loves high-concept fantasy in YA and Adult fiction. A graduate of the University of Tennessee, studying Theatre and History, Cate currently lives in Nashville with her children.
Narrative History Film/TV/Theatre Pop Culture Music
Historical Commercial Women’s fiction Romance Fantasy Mystery Psychological Thriller Middle Grade Young Adult