Get to Know an Agent in Attendance: Erin Casey Westin of Gallt and Zacker Literary Agency

Erin Casey Westin is a literary agent with Gallt and Zacker Literary Agency.

Erin is open to all kid lit and children’s books age groups — picture books, chapter books, middle grade, and young adult — and is particularly drawn to work that shows the author’s world and character-building ability. She also is open to kidlit nonfiction.

She wants to believe wholeheartedly in the world of the book, whether the setting is familiar or fantastic. She wants to see authentic, thoughtful representations of all people so that every kid can find a book that speaks to them. She wants even the simplest lines of text to pluck at her heartstrings because they’re so beautifully written. Erin loves getting so engrossed in a book she forgets she’s reading entirely.

About Erin (n her own words):

I’m an escapist reader – I read to live in another person’s experience for a little while. I love magical realism and speculative novels that take our world and change one small thing or turn it on its head entirely. I love fantasy, high or low, and it’s usually what I turn to for pleasure reading. I’m eager for more fantasy and light horror inspired by non-western mythology and folklore. Please send me books that comp to the Rick Riordan Presents list or would be published by Tor Teen or Labyrinth Road.

I’m excited to be reading and representing more graphic novels, both realistic and fantastic. I prefer author-illustrators in this category and am looking for art styles that are instantly recognizable in a crowd. I’m looking for graphic novels in all the age groups I represent but I’m particularly interested in graphic novel chapter books and early readers that could sit alongside series like Ben Clanton’s Narwhal and Jelly.

I think there is a growing market for highly illustrated chapter books, particularly by marginalized creators finally getting the chance to tell their stories. The chapter book market is hard to break into, but editors are recognizing the homogeneity of that market currently and I’d love to help non-white creatives break into that space and tell stories that resonate with their childhoods.

If I’m going to read realistic contemporary, I want to learn something, broaden my perspective, or be otherwise removed from the traditional high school drama of white allocishet teenage existence. I’m not the best fit for stories that revolve around romance, though I love to swoon when the romance is part of a bigger overall plot. I’m also not the right fit for super commercial, dramatic, realistic YA plots (think The OC). I would love more contemporary sports stories with queer representation!

I’m interested in nonfiction but usually not biographies unless the world really needs to hear that person’s story.

I am committed to building a diverse list of fiction that provides mirrors, windows, and doors for all kids. I am actively looking to represent work by people from marginalized communities and I greatly appreciate the trust those creatives put in me by choosing to share their work.

No work for the adult market please! Additionally, things that are not a good fit for me: gun violence, especially as a “gotcha” moment or to escalate a final confrontation; plots that entirely revolve around a misunderstanding.
Fun facts about me:

I’ve always loved sports and still competitively play volleyball and ultimate frisbee. I love being outside and am finally starting to rack up National Park visits. I love animals, particularly dogs, whales, and horses – I dream of one day owning an animal rescue/farm (not for whales though…).

Erin graduated from Hamilton College with a B.A. in Creative Writing and an ever-growing list of books to read. She is open to all kid lit age groups, from picture books through YA, and is particularly drawn to work that shows the author’s world- and character-building ability. She wants to believe wholeheartedly in the world of the book, whether the setting is familiar or fantastic. She wants to see authentic, thoughtful representations of all people so that every kid can find a book that speaks to them. She wants even the simplest lines of dialogue to pluck at her heartstrings because they’re so perfectly written for that character. Erin loves that startled feeling you get upon reaching the end of a chapter in a really good book. You forget you’re reading when you’re so busy living, you know?

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