After many successful events in Minnesota, Writing Day Workshops is excited to announce The 2026 Minnesota Writing Workshop — a full-day “How to Get Published” writing event in St. Paul, MN on April 11, 2026.
This writing event is a wonderful opportunity to get intense instruction over the course of one day, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited seats at the event (200 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2026 Minnesota Writing Workshop! We are very proud of our many success stories where attendees sign with agents following events — see our growing list of success stories here.
(Please note that this is an in-person event. We at Writing Day Workshops plan both online/virtual as well as in-person events. This next MWW is an in-person event happening in St. Paul on April 11, 2026. See you there.)
To register, click the button above, or email Chuck at WritingDayWorkshops@gmail.com and tell him you’re interested in the Minnesota event.
WHAT IS IT?
This is a special one-day “How to Get Published” writing workshop on Saturday, April 11, 2026, at the Embassy Suites by Hilton Bloomington / Minneapolis. In other words, it’s one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome.
This event is designed to squeeze as much into one day of learning as possible. You can ask any questions you like during the classes, and get your specific concerns addressed. We will have literary agents onsite to give feedback and take pitches from writers, as well. This year’s agent and editor faculty so far includes:
- literary agent Jennifer Carlson (Dunow, Lerner & Carlson)
- literary agent Krista Van Dolzer (Unter Agency)
- literary agent Michaela Whatnall (Dystel, Goderich & Bourret)
- literary agent Cathie Hedrick Armstrong (Marsal Lyon Literary)
- literary agent Ruth Gila Berger (Red Sofa Literary)
- literary agent Erin Casey Westin (Gallt & Zacker Literary)
- editor Brittany Torres Rivera (Graywolf Press)
- literary agent Laura Zats (Headwater Literary)
- literary agent Michael Croy (Northstar Literary)
- and more to come.
By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinator Chuck Sambuchino of Writing Day Workshops.
To register, click the button above, or email Chuck at WritingDayWorkshops@gmail.com and tell him you’re interested in the Minnesota event.
EVENT LOCATION & DETAILS:
9:30 a.m. – 5 p.m., Saturday, April 11, 2026 — at the Embassy Suites by Hilton Bloomington / Minneapolis | 2800 American Blvd W, Bloomington, MN 55431.
(Please note that this is an in-person event. We at Writing Day Workshops plan both online/virtual as well as in-person events. This next MWW is an in-person event happening in St. Paul on April 11, 2026. See you there.)
THIS YEAR’S SESSIONS & WORKSHOPS (APRIL 11, 2026):
What you see below is a quick layout of the day’s events. The topics below are mostly set, but subject to change. You can see a more detailed layout of the day’s classes on the Schedule Page here.
Please Note: There will be 2-3 classes/workshops going at all times during the day, so you will have your choice of what class you attend at any time. The final schedule of topics is subject to change, but here is the current layout:
8:30 – 9:30: Check-in and registration at the event location.
BLOCK ONE: 9:30 – 10:30
1. Mastering the Art of Dialogue. This presentation will help writers learn how to format their dialogue, how to find your characters’ voices, how to make it sound natural, and how to avoid five big mistakes that writers often make.
2. How to Get a Literary Agent and Write a Query Letter. Learn the ins and outs of finding agents, contacting them, and securing representation for your work.
BLOCK TWO: 10:45 – 11:50
1. The Writer’s Journey. This class is a deep examination of the publishing process and what it’s like to make a living as a writer and find success in a multifaceted industry.
2. Writing for Young Adult and Middle Grade Audiences. In this class, you’ll learn who your audience is, hear about the “musts” of YA and MG fiction, review publication trends, and discover the pitfalls to avoid when crafting a novel for the middle grade and young adult worlds.
(What you see here is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.)
LUNCH ON YOUR OWN: 11:50 – 1:15
Lunch is on your own during these 85 minutes.
BLOCK THREE: 1:15 – 2:30
1. “Writers Got Talent”—a Page 1 Critique Fest. This is a chance to get your first page read (anonymously — no bylines given) with attending agents & editors commenting on what was liked or not liked about the submission.
2. How to Sell a Nonfiction Book Proposal. This session focuses on effective strategies for writing a nonfiction book proposal on any subject.
BLOCK FOUR: 2:45 – 3:45
1. Open Agent and Editor Q&A Panel. Several attending literary agents will open themselves up to open Q&A from MWW attendees. Bring your questions and get them answered in this popular session.
2. Time Management For Writers. This session will give you hands-on practical methods for avoiding distraction while racking up that word count. Your bag of tools will include proven tricks and techniques for starting to write and then maintaining focus on your work
(What you see here is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.)
BLOCK FIVE: 4:00 – 5:00
1. The Agent/Author Relationship. This workshop, taught by a literary agent, details the happenings from “The Call” all the way to going on submission. Understand how to be a great client, how to effectively communicate with your agent, how to know what to expect in the process, and more.
2. From A to Z: Strategies for Plotting, Pacing and Structure. This class will begin with a detailed introduction to the three-act structure that lends itself to theoretical preparation for novel-writing and outlining, and then identify different tools for plot consideration.
SESSIONS END: 5:00
At 5 p.m., the day is done. Speakers will make themselves available by the workshop’s bookstore for a short while to sign any books for attendees.
Agent & Editor Pitching: All throughout the day.
To register, click the button above, or email Chuck at WritingDayWorkshops@gmail.com and tell him you’re interested in the Minnesota event.
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PITCH AN AGENT OR EDITOR (IN PERSON):
Jennifer Carlson is a literary agent with Dunow, Carlson & Lerner. Jennifer has been agenting since 1997. Previously, she worked at Henry Dunow Literary Agency and Harold Ober Associates. She works with narrative nonfiction writers and journalists covering current events and ideas and cultural history, as well as literary and upmarket commercial novelists. On the children’s side, her clients are primarily young adult and middle grade fiction writers. She is not currently looking for new picture books or YA fantasy. Learn more about Jennifer here.
Krista Van Dolzer is a literary agent at The Unter Agency. Krista has worked in and around the publishing industry for more than a decade. Her middle grade fiction has been published by Penguin Random House, Sourcebooks, Capstone, and Bloomsbury USA. Krista is looking for all things middle grade and young adult, as well as several flavors of adult nonfiction: narrative, sports, applied but accessible science (especially in mathematics, economics, or psychology), and journalistic narrative (think Susan Cain, Malcolm Gladwell, or David Brooks). Learn more about Krista here.
Michaela Whatnall is a literary agent with Dystel, Goderich & Bourret. Michaela’s background in school and library marketing accounts for their strong interest in children’s literature, particularly middle grade and young adult fiction of all genres, including contemporary, fantasy, science fiction, historical, adventure, horror, and romance. In the adult fiction space, they are particularly seeking contemporary, speculative, and historical upmarket fiction, as well as character-driven, grounded fantasy and romantasy. They are also open to select narrative nonfiction for both children and adults, graphic novels, and picture books. Learn more about Michaela here.
Brittany Torres Rivera is an assistant editor with Graywolf Press, and is taking pitches on behalf of her imprint. Graywolf Press publishes about 30 books annually — mostly poetry, memoirs, essays, novels, translations, and short stories. “Our editors are looking for high quality literary fiction, nonfiction, and poetry that combine a distinct voice with a distinct vision. Our editors seek out and solicit promising work from authors that they encounter in the pages of magazines, at writing conferences, and in other venues.” Learn more about Brittany here.
Cathie Hedrick-Armstrong is a literary agent at Marsal Lyon Literary Agency and a member of the Association of American Literary Agents (AALA). Cathie is seeking adult fiction submissions in the following areas and genres: romance, domestic suspense, psychological suspense, horror fiction, mystery, historical fiction, commercial fiction, women’s fiction, and book club fiction. Learn more about Cathie and her wish list here.
Ruth Gila Berger is a literary agent with Red Sofa Literary. She is seeking: adult and young adult fiction that has a hook, nuance and heart; essay collections that show up in the wrong outfit, take a circuitous or unexpected route to writing, and question assumptions; narrative nonfiction with a story – especially if it marries two seemly disparate fields like art and mathematics, physics and cooking, birds and language, etc. I want to read experts who can charm and surprise me, make me laugh and never take a tone of intellectual superiority; memoir is where my heart lives but you have to knock my socks off and be connected to something in the larger world (must have a platform to sell) and graphic Novels, only if they are original, beautiful and funny. Learn more about Ruth here.
Erin Casey Westin is a literary agent with Gallt and Zacker Literary Agency. Erin is open to all kid lit and children’s books age groups — picture books, chapter books, middle grade, and young adult — and is particularly drawn to work that shows the author’s world and character-building ability. She also is open to kidlit nonfiction. She wants to believe wholeheartedly in the world of the book, whether the setting is familiar or fantastic. Learn more about Erin here.
Michael Croy is a literary agent with Northstar Literary. Michael is interested in acquiring general/mainstream fiction – stories told with heart and humor that have a strong sense of place with characters you quickly cheer for (or against!). Recent fiction favorites like Whiskey When We’re Dry by John Larison, When All is Said by Anne Griffin or The Bear by Andrew Krivak. On the narrative nonfiction side he is looking for thoughtful pop culture commentary, or cultural history, think Valeria Luiselli’s powerful Tell Me How It Ends, or Chuck Klosterman’s The Nineties, or This Woman’s Work by Sinead Gleeson and Kim Gordon. Sports biographies that are less about sport and more about personal struggles to overcome political, cultural, or physical hurdles – think of Path Lit by Lightning: The Life of Jim Thorpe by David Maraniss. Learn more about Michael here.
Laura Zats is a literary agent with Headwater Literary. (Note: Concerning the 10-minute “pitch” appointments at the event, Laura’s agency handles these opportunities in a specific way. In her own words: “Headwater, as a policy doesn’t do traditional pitch sessions, but we DO perform consultations, where we meet with anyone and answer questions & give feedback, rather than just give a yes/no.”) Laura represents young adult books, science fiction, fantasy, romance, mystery, literary fiction with speculative elements, and select contemporary and historical fiction. “I particularly love to work on books that appeal to readers of different genres or subgenres—if you’re pitching something that crosses multiple areas of my list, I want to see it!” Learn more about Laura here.
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ADDED ONLINE PITCHING: To ensure that writers have a robust and diverse lineup of agents & editors to pitch, 2026 Minnesota Writing Workshop attendees will have the ability to also pitch literary agents at a specific Writing Day Workshops *online* event that follows the 2026 MWW on our calendar.
That event is the 2026 (Online) New England Writing Workshop, July 24-25, 2026, which will have 30-40 agents taking one-on-one Zoom virtual pitches.
This means that 2026 MWW attendees can have access to pitching all those online New England WW agents — pitches still at $29 each — without being a formal registrant for the online July 2026 event. (That said, if you want to formally register for the July 24-25 New England Writing Workshop and have access to all classes and panels, let us know, as there is a discount for confirmed Minnesota attendees.)
If you are interested in this added pitching opportunity, the first step is to get formally registered for Minnesota. Following the conference on April 11, 2026, we will be in touch with all Minnesota attendees and ask them if they want to partake in pitching online agents at the 2026 NEWW (July 24-25). At that time, you can communicate your pitch requests and purchase meeting time.
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More 2026 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.
These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.
(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)
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PRICING:
$199 — EARLY BIRD base price for registration to the 2026 MWW and access to all workshops, all day. As of fall 2025, registration is now OPEN.
To register, click the button above, or email Chuck at WritingDayWorkshops@gmail.com and tell him you’re interested in the Minnesota event.
Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents or editors in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals, or securing 20 minutes to pitch one person rather than the usual 10. Here are four quick testimonials regarding writers who have signed with literary agents after pitching them at prior Writing Day Workshops events. (Our bigger, growing list of success stories an be seen here.)
“I met Mai Nguyen at the Toronto Writing Workshop
and sold her manuscript to Simon & Schuster for six figures.”
– literary agent Carly Watters of P.S. Literary Agency
“I signed Sarah G. Pierce from the Seattle Writing Workshop,
and we recently sold her book to Orbit/Redhook.”
– literary agent Pam Gruber of Highline Literary Collective
“I met Amber Cowie at a Writing Day Workshops conference. We sold
her best-selling crime novel to Lake Union / Amazon.”
– literary agent Gordon Warnock of Fuse Literary
“I met my client, Dana Corbit Nussio, at the Michigan Writing Workshop.
Dana signed a new three-book contract with Harlequin Romantic Suspense.”
– literary agent Rachel Beck of Liza Dawson Associates
“I signed Nedda Lewers from a Writing Day Workshops event. Her debut
novel from Putnam Children’s was an Indie’s Introduce Best Book of 2024.”
– literary agent Kelly Dyksterhouse of Tobias Literary Agency
Add $69 — for an in-depth, personal critique of your one-page query letter from Chuck Sambuchino, one of the day’s instructors. (This rate is a special event value for Minnesota Writing Workshop attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?
Add $89 — for an in-depth personal critique of the first 10 pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees will either 1) get an in-person meeting at the workshop, if the faculty member is attending the live event, or 2) get a 15-minute phone call with the faculty member, and have notes passed along via email, if the critiquer is not attending the live event. Options:
- All adult fiction genres and categories (except for sci-fi) (virtual critiques): Faculty member Tayler Hill, an author and publishing house assistant, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
- Romance, women’s fiction, domestic suspense, and young adult fiction (virtual critiques): Faculty member Swati Hegde, an author and freelance editor, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
- General fiction, contemporary, suspense, thriller, horror, romance, fantasy, young adult, cross-genre (e.g. horror romance or young adult fantasy), and memoir (virtual critiques): Faculty member Aimee Hardy, an author and editor, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
- Memoir, as well as children’s picture books (virtual critiques): Faculty member Eve Porinchak, a published author and former agent, will get your work in advance, critique your picture book (or 10 pages if memoir), meet with you online (Zoom, etc.) or by phone for 15 minutes sometime around the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting. If you submit a picture book, it must be 1,000 words or fewer (can have illustrations or not).
- All types of adult fiction (except erotica); all types of young adult fiction and middle grade; Christian fiction; screenplays and TV scripts (virtual critiques): Faculty member Jaimie Engle, a screenwriter, will get your work in advance, critique the first 10 double-spaced pages of your book, talk with you virtually (Zoom/phone) for 15 minutes workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
- Science fiction, fantasy, romance, horror, young adult SFF, urban fantasy (virtual critiques): Faculty member Wesley Chu, a published novelist, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss his thoughts, and pass along written critique notes before or after the meeting.
- More options possibly coming soon.
How to pay/register — Registration is now open.
To register, click the button above. Or reach out to workshop organizer Chuck Sambuchino via email: WritingDayWorkshops@gmail.com. He will pass along registration information to you, and give instructions on how to pay by credit card, PayPal, or check. Once payment is complete, you will have a reserved seat at the event. The MWW will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Chuck plans different workshops, make sure you note that you’re inquiring about the Minnesota workshop specifically.
REGISTRATION:
Because of limited space at the venue (mbassy Suites by Hilton Bloomington / Minneapolis | 2800 American Blvd W, Bloomington, MN 55431), the workshop can only allow 220 registrants, unless spacing issues change. For this reason, we encourage you to book sooner rather than later.
(Please note that this is an in-person event. We at Writing Day Workshops plan both online/virtual as well as in-person events. This next MWW is an in-person event happening in St. Paul on April 11, 2026. See you there.)
Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.
How to Register:
To register, click the button above. Or reach out to workshop organizer Chuck Sambuchino via email: WritingDayWorkshops@gmail.com. He will pass along registration information to you, and give instructions on how to pay by credit card, PayPal, or check. Once payment is complete, you will have a reserved seat at the event. The MWW will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Chuck plans different workshops, make sure you note that you’re inquiring about the Minnesota workshop specifically.
Refunds: If you sign up for the event and have to cancel for any reason at any time, you will receive 50% of your total payment back [sent by check or PayPal]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments and manuscript editing payments are completely non-refundable if the instructor has already edited your work.)
Thank you for your interest in the 2026 Minnesota Writing Workshop.